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Because Time by Liz Abrams-Morley

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“Listen, I told her,” says the speaker in Because time, “for the sounds/You cannot hear.”

The poems in Liz Abrams-Morley newest collection ask readers to simultaneously reach into the future while redefining the past. Words anchor us to both and all moments co-exist. “This is why I make poems, make collages,” Abrams-Morley writes. The imagined future holds both hope and fear for the children. “Tell yourself that any ordeal will strengthen them.  Tell yourself that.  Go on, I dare you.”  As for the past, “Think of the magnolia petals, how, in your hometown, they opened like fireworks.” The poems in this remarkable collection root us in Time’s circle so we are always amazed, but never lost.

–Lois Roma-Deeley, Poet Laureate, Scottsdale, Arizona, author of Like Water in the Palm of My Hand

 

“How you say the world, I learned/Is how you see it.” In Because Time, Liz Abrams-Morley fiercely says and sees our human situations, from the “siren-slashed” crimes against women and children, to generational transfer and the sly nature of time. Her poems are necessity and balm. Read them, return to them.

–Tracy Robert, author of Flashcards and the Curse of Ambrosia

 

The unforgettable poems of Because Time flare up from shards of memory lodged in the body and told in glints and glimpses of “life after so much death.” Liz Abrams-Morley has undertaken a rumination on disruption—assassination, insurrection, school shootings, war, a botched abortion, a mother’s sorrow, her nephew’s shiva—collaged from scraps of family stories, some of them her own.  The poems themselves are acts of interruption, like oral tales whose digressions create space for unexpected possibilities and images of resilience. Dedicated to the next generation, this collection is intended to keep them alive and “crazy for hope” in their “unprecedented” future.

–J. C. Todd, author of Beyond Repair

 

 

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Because Time

by Liz Abrams-Morley

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This title will be released on July 19, 2024

The poems in Because Time invite the reader into the imagined future of the poet’s youngest students, and grandchildren, as this fragile generation negotiates the “unprecedented” times of pandemic, school shootings, abridgement of bodily autonomy and a climate gone bizarre;  simultaneously the poems interrogate and redefine experiences and traumas of generations gone.  A rumination on disruptions, on “life after so much death,”  an homage at times to resilience, and a prayer for the future, the poet seeks words to keep this youngest generation, despite logic and the odds, “crazy for hope.”

Liz Abrams-Morley’s previously poetry collections include, Beholder, Inventory, Necessary Turns and Learning to Calculate the Half Life.  Her poems and short stories have been published in a variety of nationally distributed anthologies, journals and ezines and have been read on National Public Radio.  She has collaborated with visual artists, both as a collage artist and incorporating her poetry into visual art pieces.

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