Epicanthus by Hiromi Yoshida

$14.99

 

Hiromi Yoshida’s Epicanthus bobs and weaves through her complicated Japanese and Taiwanese backgrounds—her father’s three marriages; a childhood encounter with a Chinatown pedophile; public hostility toward postwar Japanese brides; and the contradictions of “COVID America.” Like Marilyn Chin’s, her voice is bracing and brazen, open-eyed and cunning, and she brings an impressive arsenal of technique and craft into these poems. But Yoshida is her own complicated original. Even in the most difficult and painful moments, her wit and sense of irony shine through. There’s a quick electric energy in these poems—an expansive vision to which the reader will keep returning.

–David Mura, Author of Turning Japanese: Memoirs of A Sansei and The Last Incantations

 

 Hiromi Yoshida’s collection of poems Epicanthus calls readers through the senses to avenues of memory—on city streets and in cultural intersections for Japanese American women. Rhythmic, microscopic and unrelenting, Yoshida’s language becomes a vehicle for the body’s mysteries, the unfairness of history and the power of metaphor to reveal.

–Amy Locklin, Author of The Secondary Burial and A Woman Somehow Dead.

 

 Hiromi Yoshida’s poems in Epicanthus don’t whisper—they roar. It’s no surprise that eyes are both the subject and lens through which we encounter Yoshida’s fearless look at the “sly difference”—the othering of her experience. With a fierce and unflinching eye, Yoshida creates and weaves familial mythologies and legends, together with the heartbeat of the city, while recounting a youth that had been spent navigating fraught public and private spaces where both peril and fleeting tenderness are found. These poems provide an unflinching look at “the wombed woman / suturing the wound within,” and will leave readers unable to blink, while watching “the pearl coalescing / in the grimacing oyster’s mouth.” These poems are haunting songs and survival stories demanding to be read.

–Angelique Zobitz, Author of Love Letters to The Revolution

 

 

Category:

Description

Epicanthus

by Hiromi Yoshida

$14.99, paper

978-1-64662-660-1

2021

Hiromi Yoshida’s second poetry chapbook, Epicanthus, offers a lyrical panorama of fortune cookies, TV dinners, Chinese lanterns, and Japanese war brides. The ephemeral realia in the archives of Asian American life, these new poems lure the reader into worlds beyond the liminal epicanthic threshold.

HIROMI YOSHIDA, one of Bloomington’s finest and most outspoken poets, is a finalist for the 2019 New Women’s Voices Chapbook Competition for Icarus Burning. Her poems have been nominated for inclusion in the Sundress Best of the Net Anthology; selected for inclusion in the INverse Poetry Archive; and published in The Asian American Literary Review, Discover Nikkei, Gidra, Evergreen Review, and The Rain, Party, & Disaster Society. Hiromi repurposes Met Store catalogs, illuminated manuscript wall calendars, and Vanity Fair magazine issues, to create collage works with titles such as Exhibit A, Ménage-a-Trois, Jouissance, and The World after the Fall of Icarus. She also uses chopsticks to make scrambled eggs, and forks to eat cup ramen noodles at midnight.

Reviews

There are no reviews yet.

Be the first to review “Epicanthus by Hiromi Yoshida”

Your email address will not be published. Required fields are marked *